Lakshmi Narayana (, IAST: ) or Lakshmi Narayan is the dual representation of the Hinduism Vishnu, also known as Narayana, and his consort, Lakshmi, traditionally featured in their abode, Vaikuntha. The goddess of wealth and prosperity, Lakshmi, is depicted standing beside Vishnu, who holds the Panchajanya (conch), Kaumodaki (mace), Padma (lotus), and the Sudarshana Chakra (discus). Another depiction of Lakshmi Narayana portrays Lakshmi in the service of Narayana, who reclines on the serpent Sesha, floating in Kshira Sagara, the Ocean of Milk.
Legends
The most significant Lakshmi Narayana myth that appears in various
Puranas is the
Samudra Manthana, where Vishnu assumes his
Kurma avatar to assist the devas and the
in the churning the Ocean of Milk. Lakshmi emerges as one of the many treasures that are the product of the churning. The devas request Vishnu to marry her, and hence her auspiciousness is wed to his divinity, restoring the cosmic order.
The Vishnu Purana describes this legend:
In the Legend of Tirumala, the sage Bhrigu is selected to choose the deity to whom a yajna shall be dedicated towards. After rejecting Brahma, Indra, and Shiva, he arrives at Vaikuntha, where he observes Lakshmi massaging the feet of Vishnu who is reclined on Shesha. Bhrigu is angered by this and kicks the chest of Vishnu with his foot. A calm Vishnu is concerned for the sage, and receives him with honour. Pleased, Bhrigu decides that the yajna should be offered to Vishnu. But Lakshmi is greatly enraged, the chest being the region of Vishnu most associated with her, and because her consort had not risen to the insult. She descends upon the earth as Padmavathi, the daughter of a Chola dynasty king, and her consort assumes the form of Venkateswara. Srinivasa finds Padmavati, marries her once more and is hailed as the primary deity of Tirumala.
In literature, Lakshmi and Narayana are often offered epithets stemming from their relationship - Vishnu is hailed as Lakshmipati, the husband of Lakshmi, while Lakshmi is called Vishnupriya, the favourite of Vishnu, as well as Vaishnavi and Narayani, the greatest female devotee, and Shakti of Vishnu.
In the Prapanna Parijata, Lakshmi declares that the duality of her consort and herself represents Brahman:
Interpretations
The dual representation of the deities Lakshmi Narayana has many historic roots, and is sometimes interpreted differently by different traditions. The goddess
Lakshmi incarnates on earth with her beloved consort, following
Vishnu's wishes, and mode of incarnation. When Vishnu descended upon the world as
Parashurama, the goddess incarnated herself as Dharani; when he was born as
Rama, Lakshmi appeared as
Sita; and when he was
Krishna, she appeared as
Radha and
Rukmini.
In Vishnu's next incarnation as
Kalki which will mark the end of the present
Kali Yuga, he will wed Padmavati, who will also be an incarnation of Lakshmi.
This dual manifestation of the supreme deities of Vaishnavism is explored in the
Ramayana,
Mahabharata,
Vishnu Purana,
Bhagavata Purana, Brahma Vaivarta Purana,
Skanda Purana, and in other scriptures. The
Purushottama Mahatmya of
Skanda Purana (13th century CE) and of
Vishnurahasya (16th century CE) referred to the female wooden image between
Jagannath and
Balabhadra,
Subhadra, as Lakshmi.
Traditions
Sri Vaishnavism
In
Sri Vaishnavism, the deity Narayana is worshipped as the supreme deity, and his consort Lakshmi as the supreme goddess. Lakshmi is regarded to be the source of salvation, Narayana, and is hence revered by adherents in order to reach God. The origin of the tradition's name is sometimes associated with the goddess herself, who is also called Sri.
In various sub-divisions of this tradition, devotees worship specific forms of Vishnu or Lakshmi or together, such as Narayana or Lakshmi, Lakshmi Narayana, Rama or Sita, Sita Rama, and others.
The
Urdhva Pundra, the sacred mark they wear on their bodies, is conceived to be a combination of the white feet of Vishnu, and the red streak in between represents Lakshmi.
Swaminarayan Sampradaya
In the Vaishnavite tradition of the Swaminarayan Sampradaya, a flute-bearing
Krishna is worshipped with his consort
Radha, and together the deity is referred as
Radha Krishna , while Krishna in his four-hands form is identified with
Narayana in the text
Shikshapatri, and is worshipped with his consort,
Lakshmi. The deity is referred as Lakshmi Narayana.
The founder of the sect,
Swaminarayan, installed the
of Radha Krishna and Lakshmi Narayana at the Shri Swaminarayan Mandir, Vadtal and Swaminarayan Mandir, Gadhada in
Gujarat.
Worship
Lakshmi Narayana worship is popular among
Vaishnavism, who pray to the divine couple at their homes and in temples. There are many
Sampradaya (sects), that regard Lakshmi Narayana as the ultimate divinity, and grand and exquisite temples have been erected for their veneration. It is believed that worshipping Lakshmi Narayana can get for the devotees the complete blessings of the divine couple and shall bestow welfare, success, prosperity and a fulfilled life for the devotees and their families.
In Tamil tradition, Narayana is often represented with three aspects of Lakshmi: Lakshmi, Bhudevi, and Niladevi.
Gallery
File:Relief sculpture of the Hindu god Narayana with his consort Lakshmi (Lakshminarayana) in the Hoysaleshwara temple at Halebidu.jpg|Lakshmi Narayana at Halebidu, Karnataka, India
File:Laxmi Narayan Temple Ram Mandir Pashupatinath Kathmandu Nepal Rajesh Dhungana (2).jpg|Lakshmi Narayan Temple at Pashupatinath Temple Complex, Kathmandu, Nepal
File:Lakshmi Narayan statue at Naksaal, kathmandu.jpg|Lakshmi Narayana statue at Naxal, Kathmandu
File:Delhi-National Museum-Lakshmi Narayana-20131006.jpg|Lakshmi Narayana, National Museum, Delhi
File:Brooklyn Museum - Lakshmi Naryana Frontispiece from the "Tula Ram" Bhagavata Purana.jpg|Lakshmi Naryana Frontispiece from the "Tula Ram" Bhagavata Purana - Brooklyn Museum
Temples
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Golden Temple, Sripuram
-
Pancha Kshethram
-
Lakshmi Narayan Temple, Agartala
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Laxminarayan Temple
-
Divya Desam
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Sreevaraham Lakshmi Varaha Temple, Thiruvananthapuram
-
Chottanikkara Temple
See also